Still I Rise
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
‘Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don’t you take it awful hard
‘Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
Maya Angelou, 1978
Maya Angelou was an American poet, memoirist, and civil rights activist. She spent
her childhood in the 1930s with her grandmother in Stamps, a segregated town in Arkansas.
In chapter I of her autobiography Why the caged birds sing she refers to Shakespeare as
her favourite author and quotes a line from sonnet 29 which reflects her experience as
a black child in that town.
‘ During these
years in Stamps, I met and fell in love with William Shakespeare. He was my
first white love. Although I enjoyed and respected Kipling, Poe, Butler,
Thackeray and Henley, I saved my young and loyal passion for Paul Lawrence
Dunbar, Langston Hughes, James Weldon Johnson and W.E.B. Du Bois ‘Litany at
Atlanta.’ But it was Shakespeare who said, ‘When in disgrace with fortune and
men´s eyes.’ It was a state with which I felt myself most familiar. I pacified
myself about his whiteness by saying that after all he had been dead so long it
couldn´t matter to anyone any more.’
From Why the caged birds
sing, 1969, chapter1
Sonnet 29
When in disgrace with fortune and men´s eyes
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess´d,
Desiring this man´s art, and that man´s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, - and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven´s gate;
For thy sweet love remember´d such wealth brings
That then I scorn to change my state with kings.
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